Light Ball Zenza 2015 FNBXLHL
product code: 387786
Price level
Low
Price depends on
configuration and the volume
of your order
configuration and the volume
of your order
Price
on request
on request
2
Estimated delivery time
- Information on request
- Information on request
- 1 week
Brand
Sizes
40 cm
40 cm
55 cm
Product Specifications
Assignment | For Premises |
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Avaliability of pendant | No |
Materials | Metal |
Avaliability of plafonds | Yes |
Quantity of plafonds | 1 |
Avaliability of Lampshade | No |
Type of light | Hanging |
Dimension with package | 0.31 m3 |
matching this productClick to select a particular type of product
Functional Purpose | For Living Room, For Bedroom, For Home |
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Product colour
Black
Style
Oriental / Japanese / Chinese
Oriental styles are very quaint. Like every ethnic trend, they are tightly bound to national tradition. The Oriental styles' main attributes are simple lines and definite forms, though less ascetical than in minimalism. Both furniture and decor use only natural materials. The furniture itself is low and squat: instead of a bed we would often encounter a podium or a futon, instead of a wardrobe - a chest and caskets. Wide door frames, contrasting colours, screens, mats,curtains made of bamboo, jute, sisal. Dimmed, opaque lighting is usually provided by low hanging lamps and squat floor lamps. The Chinese style has more decor: various figurines, lamps, calligraphy and patterns.
Provence / Country / Mediterranean
Provence is one of the most popular varieties of country style, because it is associated not only with the rural life of past centuries, but even with the exciting scents of Mediterranean flora, the sun and the sea, with a lovely holiday in the lap of nature. All this is reflected in the aesthetics of Provence: simplicity, plain lines, abundance of live and dried plants, the colors faded in the sun. Another inherent characteristic of the Country style on the whole and Provence in particular - it's archaic. Country Life is slow and measured - new ideas take root slowly.
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